savannah photographic workshop

National Military Park

The violin on the piano is 60 years older than the United States of America, a Stradivari c. 1727 Vesuvio.

Cremona is all violin, all the time, or at least it feels that way. There are shops focused on making and repairing them, monuments related to them, artistic representations of them in storefront displays, and restaurants.

In a town that was the home of Stradivari, Amati, and Guarneri, what would you expect? As they created the modern violin from a Middle Ages fiddle, the instrument spread throughout the world over the last five centuries. The Violin Museum there, in addition to the details of that development and displays of how they are made, has an enormous collection of them from throughout that history, as well as violas and cellos. The museum includes an auditorium where performances are held using the historical collection because they need to be “exercised.”

On the one full day Barbara and I had there we heard there was to be a performance (with this violin) and quickly decided to attend. It was also the day of the large weekly market–food, clothes, electronics–the stalls flowing from the large central piazza all through the ancient, winding city streets, where Barbara found a pink sweater she has been looking for for a couple of years. That also made it more confusing for us to find the auditorium so we asked several people for directions. The first two people sent us in opposite directions, both wrong.

Continuing to travel under the blessing of Blanche DuBois (“I have always depended upon the kindness of strangers.”), our third “per favore” elicited an effort from a women who, frustrated by her inability to speak English to help us, apologized (really! Like the inadequacy was hers instead of ours), and motioned for us to follow her, leaving her own shopping to lead us to the museum.

The auditorium was designed and built with the same attention to sound quality as the instruments that are played there. After the performance, Barbara (an audiologist) declared it acoustically perfect. For me listening is more complicated. I have to close my eyes or seeing dominates any conversation of my senses. I have no musical education. I do have a hearing loss–age, plus listening to rock and roll with headphones, on LOUD, or sitting in front of large speakers amped up to 11, feeling the thumping of the woofers vibrating through my body. Some of you know what I mean.

Even to me, it was exquisite.

For more of Bill’s photographs, go to https://www.billdurrence.com/index

He was magnificent.

We had been hiking for a while, and I’m a sea-level flat-lander. The rough, fluctuating terrain, elevation, deep snow slogging, and cold were starting to get to me. And then he popped up, and made it all worth it.

Well, sorta. I’m actually standing next to my car with the engine and heater running, on the road between the Gardiner entrance and Mammoth, where a few of these guys had wandered down close.

The only thing you can know about the content of a photograph is the information included within the frame. Every image offers one, limited, point of view. Assume nothing beyond that.

It’s also great someone who might not have the time, ability, or inclination to do back country exploring gets to see something like this, thanks to our wonderful National Parks system. Because even if he came down to my car and posed for me…

…he was magnificent.

For more of Bill’s photographs, go to https://www.billdurrence.com/index

“Roll out those lazy, hazy, crazy days of summer
Those days of soda and pretzels and beer
Roll out those lazy, hazy, crazy days of summer
Dust off the sun and moon and sing a song of cheer” 1963 hit by Nat King Cole

I spend a lot of time going through old image files these days and recently noticed these photos from a raft race on the Oconee River running through Athens, from when I was a student at UGA. The word “carefree” came to mind. It’s such a simple word to cover so much ground. I remember life being so much more spontaneous then.

It’s been spring in Savannah for several weeks now–lots of pollen and lots of falling oak leaves, luxurious dogwood blossoms and the bright colors of azaleas exploding everywhere, and of course the blanket of green on St. Patrick’s Day. The real tip-off, though, is when the bright plumage of teenage girls in formal wear appears in Washington Square, along with the spiffed up, Bond-esque look of their escorts in rented tuxedos. It’s Prom Night, and groups of graduating seniors gather in our square every year with family–parents, siblings, grandparents–to photograph every combination of couples and groups they can imagine, before the stars of the show head to the dance.

They, all of them, are gorgeous in their party clothes, eager to go through these last few gateways to adulthood, not thinking about this likely being the last whole summer they can take off, or the hurdles and shocks the life they seek will throw at them.

I am a little envious of the often carefree adventure they are starting.

For more of Bill’s photographs, go to https://www.billdurrence.com/index

When our “Go West…” tour left Wyoming, into Utah, the landscape went from ascendant to eroding. As we continued into Arizona, the wearing away continued deep into the earth at the Grand Canyon, and in the emptiness of Monument Valley.

I think most “abstract” photography, an effort to remove or minimize objective references, is attempted by moving very close to the real world subject. Sometimes that can also be accomplished in the opposite direction, from a great distance.

The layers of color and texture represent eons, the millennia of slowly building up the sedimentary landscape, then the millennia of wearing it down, exposing the timeline. It’s easy to feel small in the American West; like the line at the end of “The Rocky Horror Picture Show:”

“Lost in time, and lost in space.”

For the new Arizona, 2024 gallery, including the Grand Canyon, Monument Valley, and Mexican Hat, go to https://www.billdurrence.com/index/G00008U3azjOiktY

We now return to our boys’ “Go West Old Man” tour as they leave Wyoming and the Grand Tetons.

The overwhelming visual of the Tetons is the vertical explosion of the mountains from the valley floor. It feels strong, vigorous, and youthful. Granite and gneiss are the hard materials of that area, but heading south into Utah, that changes to softer sandstone. The landscape begins to feel weathered, tortured, then ancient, and arid.

Temperatures vary from hot day to cold night. Moisture condenses in nooks and crannies, in the slivers of niches of sedimentary rock. Freezes. Expands. Erodes. Sloughing skin. It’s easy to see things–figures, faces–in the rock, without peyote. It’s the kind of landscape that warns you there are consequences for being careless.

For a new gallery on Utah, with Arches NP, and Bryce Canyon NP, go to https://www.billdurrence.com/index/G0000FtBvSxK5CmY

I have been curious about Burma most of my life. Dad served in the China-Burma-India theater during WW II, and growing up I read the great, true, adventure stories of Chennault and his Flying Tigers, and of Merrill’s Marauders. I finally had the chance to see it when Barbara and I visited in 2017, as the Rohingya confrontations were becoming widely known. It didn’t fit with my understanding of Buddhists that they would be a faction in a civil war, but we were never in any area where conflict was happening. People seemed warm, friendly, welcoming, but no one would engage in a conversation about the issue.

Mandalay has been called the City of Gold, because of so many shining pagodas. It is one of only two places in the world making gold leaf. The other is in Holland where the process is machined, but in Myanmar it’s still done by men swinging a sledge hammer onto a small booklet of interleaved thin gold layers all day long. That could be an indicator for how un-modern much of Myanmar is, how extensive the earthquake damage will be, and how difficult the task to recover bodies and rebuild a country that already had limited infrastructure, and, likely, fluid building codes, not to mention an ongoing civil war, and a xenophobic military government.

Called the Soft Gold Pagoda, Mahamuni Pagoda’s face is washed daily and no gold is ever placed on it, but since the early 1900’s the statue has grown substantially from the constant application of gold leaf everywhere else, approximately 2 tons. Reports and photographs of the earthquake damage are limited for now and probably anytime soon, but one story I saw said 270 monks were assembled here at the time for some testing; now 80 are dead and 100 are missing, thought buried in the rubble. It’s bound to be much worse. The well-visited monument is only a few feet from an entrance to a large shopping mall, modern looking but almost certainly built in layers over a century of evolution.

On Sagaing Hill, overlooking the Irrawaddy River, Soon U Pon Shin Paya, with it’s Buddha Hall and gilded stupa, at the epicenter of the 7.7 magnitude quake, is closed. There are online photos of the decapitated stupa.

Barbara’s relative tallness and blonde hair attracts attention when we are traveling in Asia, and it’s not unusual for a woman, or group of women, to approach her for a photograph with her, as was the case here. If Barbara looks a little splotchy, it’s a local makeup custom that looks liked dried clay. The Palace area had substantial damage; the Clock Tower and Relic Tower are collapsed.

Near Mandalay Palace, Kutho Daw Pagoda, the “World’s Largest Book,” is 729 inscribed marble slabs, each in its own small stupa, presenting the entire 15 books of the Tripitaka, built between 1860 and 1868. You don’t have to know what that is (the teachings of Buddha) to appreciate the human achievement in building such an extensive monument. It is reported damaged.

Losing beautiful centuries old structures is a terrible thing, but the real tragedy is the thousands who will ultimately be destitute, injured, missing or dead.

For more of Bill’s photographs, go to https://www.billdurrence.com/index

My neighborhood in Savannah periodically adds a little twist to the day for tourists riding the trolleys around Washington Square/Ward, with events like the Bathrobe Brunch (a weekend morning where a large number of people in bathrobes show up for a pot luck brunch), or sometimes by the size of the crowd at our regular Friday afternoon gatherings, or maybe by a Memorial Circle for someone in the ‘hood who has passed.

Our neighbors just to the south, Greene Square/Ward, have added to the possible surprising sights for a visitor, starting a new tradition a few years ago, an Equinox Party, another pot luck meal, but beginning with a “special cocktail” toast to the Sun and then a Sun Salutation, later followed by a series of games where one could win a Rudolph nose.

Neighborhoods where people look for reasons to celebrate together are the best.

For more of Bill’s photographs, go to https://www.billdurrence.com/index

The book “Midnight in the Garden of Good and Evil” told the outside world about the eccentric nature of Savannah, and some of her inhabitants. Saint Patrick’s Day is when many try to demonstrate it publicly.

The parade used to be the only really public event. When my sister and I were small kids, I have a vague memory of Mom taking us to the parade and us sitting on a curb watching it. While the parade still kicks the day off (after several fraternal breakfasts), there’s already been a week of activities from issuing the parade permit, to announcing the Grand Marshal, to greening the fountains. And after the parade those capable (not too old, parenting, or already over-served) will continue with a spring break revelry until the early hours of the morning. Soon after 3 AM bar closings, downtown residents will hear the drunken arguments about who was supposed to remember where the car was parked.

It’s a long parade and it once was, just a couple of years ago, there were long stretches of the route where you could walk up just before, and have a front row seat. This year, I saw someone in one of those areas putting out chairs more than 24 hours early.

A few years ago the City had to close the squares along the parade route the evening before to keep people from camping out there, and stop arguments. Now, when they open them in the morning for people to set up their family compounds, I hear it’s like the Oklahoma land rush, but I haven’t gone to see it.

Sidewalks get plenty of tents as well, with lots of folding chairs interlocking like a Maginot curb-line facing the street, and defended like the Ukrainian front, multiple coolers with food and beverage enough for at least three days, and in at least one case, a pickup parked nearby with one’s own personal porta-potty in the bed.

For more of Bill’s photographs, go to https://www.billdurrence.com/index

Continuing our “Go West Old Man” tour from last week’s post, the boys cross Montana and head south through Wyoming. I’ve been to about 25 of the 60+ US National Parks, and the one I always want to go back to is Yellowstone and the Tetons. (I know that’s two, but they are adjacent.)

Some years ago Barbara and I drove from Yellowstone’s northeast exit at Silvergate through Bear Tooth Pass to Red Lodge just after the route opened in the spring. The road was tunnel-like in the shaved walls of snow taller than our rental car, threaded up and down the steep mountain slopes. It occurred to me the plow driver tasked with the first clearing of the year might have a death wish.

This time, going in the other direction, and without snow on the ground, it was just spectacular.

Yellowstone will always be a special place for me, at least partly for the way it came to be. Photographs made by William Henry Jackson were shared with members of Congress to show what an amazing place it was/is, and they established it as our first national park, the world’s first national park, in 1872.

The Tetons were ghosts for my brief visit this time. There were a number of wildfires in the area and lots of smoke. But you take what comes, and there’s always an interesting photograph to be made.

For a new gallery of Bear Tooth Pass, Yellowstone, and The Tetons, go to https://www.billdurrence.com/index/G0000UkjctYJ7iaE